簡(jiǎn)介：《從今以后》被選為2010年年紐約國(guó)際電影節(jié)的閉幕電影。

簡(jiǎn)介：傳奇梟雄，跛豪崛起 　　龍爭(zhēng)虎斗，富貴險(xiǎn)求

簡(jiǎn)介：霧港市經(jīng)偵大隊(duì)隊(duì)長(zhǎng)鄭義（王千源 飾）在調(diào)查一宗涉及數(shù)百億的股票詐騙案中，發(fā)現(xiàn)韓東川（馮紹峰 飾）以“Dr.Han”的名義，與好兄弟成立“大金牛投顧機(jī)構(gòu)”，利用直播誘導(dǎo)投資，做局詐騙。一場(chǎng)與時(shí)間賽跑的激烈較量，在警方反詐精英與“犯罪天才”之間展開(kāi)。而隨著調(diào)查深入，真相卻愈加撲朔迷離。韓東川有何隱情？幕后黑手究竟是誰(shuí)？重重迷局如何破解？在充滿欲望的金錢(qián)堡壘之中，一切懸念將被解開(kāi)……

簡(jiǎn)介：電影作品講述了時(shí)隔60年再次前往故鄉(xiāng)南海進(jìn)行友情旅行的兩位老奶奶和長(zhǎng)期守護(hù)故鄉(xiāng)生活的爺爺之間的故事。

簡(jiǎn)介：經(jīng)營(yíng)西點(diǎn)咖啡店的青年亮介（松坂桃李飾）即將和心愛(ài)的女孩千繪（清野菜名飾）結(jié)為夫婦，可就在風(fēng)光得意之時(shí)，千繪突然失蹤，父親洋介則罹患胰臟癌，去日無(wú)多。在幫助整理雜物時(shí)，亮介偶然翻出幾本舊的筆記本，封面題寫(xiě)著“百合心（搖曳的心）”。筆記本中用鉛筆寫(xiě)滿了一名女子的獨(dú)白，她自稱從小對(duì)外界感到恐懼，一次意外的殺人卻讓她無(wú)依無(wú)靠的心得到慰藉。筆記中極其真實(shí)的描寫(xiě)令亮介甚為恐懼，卻又欲罷不能。與此同時(shí)，自稱千繪朋友的細(xì)谷女士（木村多江飾）找上門(mén)來(lái)，向他透露千繪失蹤的原委。在閱讀筆記的過(guò)程中，亮介似乎緊緊被這個(gè)名叫光子（吉高由里子飾）的女子攫住，而其中更隱藏的莫大的秘密……本片根據(jù)沼田真帆香留的同名小說(shuō)改編。

簡(jiǎn)介：　　Tú me abrasas is an adaptation of “Sea Foam”, a chapter from Cesare Pavese’s “Dialoghi con Leucò” published in 1947. The ancient Greek poet Sappho and the nymph Britomartis meet beside the sea and have a conversation about love and death. Sappho is said to have thrown herself into the ocean from lovesickness. Britomartis apparently tumbled off a cliff and into the water while fleeing from a man. Together, the two discuss the stories and images that have emerged around them to try and understand, at least for a moment, the bittersweet nature of desire. The film adapts not only the text but also footnotes and gaps in the story. For example, the fact that, in 1950, a desperate Pavese committed suicide in a hotel room with this book by his side. Or that Sappho’s poems have survived only in fragments. Or that sea foam is historically and scientifically associated with fertility and bacteria, that is, with life itself. “Everything dies in the sea and comes back to life,” says Britomartis. Tú me abrasas introduces new readings and translations that go beyond the myths by Pavese and Sappho.